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Richard Wistreich & Philipp von Steinaecker

Handel: Memoirs 5

Richard Wistreich & Philipp von Steinaecker

69 SONGS • 1 HOUR AND 1 MINUTE • AUG 21 2024

1
The Messiah, HWV 56: Pt. 1 No. 11, The People That Walked In Darkness (Bass) (Live at Cathedral of Brixen, 08/28/2009)
Philipp von Steinaecker, Musica Saeculorum & Dominik Wörner
04:04
2
The Messiah, HWV 56: Pt. 1 No. 20, He Shall Feed His Flock Like a Shepherd (Alto) (Live at Cathedral of Brixen, 08/28/2009)
Philipp von Steinaecker, Musica Saeculorum & Kristina Hammarström
05:02
3
The Messiah, HWV 56: Pt. 2 No. 36, The Lord Gave the Word (Chorus) (Live at Cathedral of Brixen, 08/28/2009)
Philipp von Steinaecker & Musica Saeculorum
01:06
4
Memoirs: Observations on the works: Before we enter on the examinations
Richard Wistreich
00:41
5
Memoirs: Observations on the works: Music is founded on established rules
Richard Wistreich
00:43
6
Memoirs: Observations on the works: The rules are derived from experience
Richard Wistreich
00:39
7
Memoirs: Observations on the works: The former of these
Richard Wistreich
00:36
8
Memoirs: Observations on the works: Such passages
Richard Wistreich
00:36
9
Memoirs: Observations on the works: Hence too we may conclude
Richard Wistreich
00:31
10
Memoirs: Observations on the works: As tste implies a natural sensibility
Richard Wistreich
00:32
11
Memoirs: Observations on the works: Art is here not only useless, but dangerous
Richard Wistreich
00:31
12
Memoirs: German and italian styles, Handel's preference for the italian: What gives me the fuller assurance
Richard Wistreich
00:38
13
Memoirs: German and italian styles, Handel's preference for the italian: The Taste in Music
Richard Wistreich
00:39
14
Memoirs: German and italian styles, Handel's preference for the italian: Handel formed his Taste upon that of his countrymen
Richard Wistreich
00:33
15
Memoirs: German and italian styles, Handel's preference for the italian: When we consider two kinds of Music
Richard Wistreich
00:32
16
Memoirs: German and italian styles, Handel's preference for the italian: Thus he takes in all the prejudicated part
Richard Wistreich
00:34
17
Memoirs: German and italian styles, Handel's preference for the italian: This appeares from particular instances
Richard Wistreich
00:35
18
Memoirs: Italian music since Palestrina: The Old Music, such as it was at the time of Palestrina
Richard Wistreich
00:33
19
Memoirs: Italian music since Palestrina: It happened, as it naturally must
Richard Wistreich
00:38
20
Memoirs: Italian music since Palestrina: For their instrumental parts
Richard Wistreich
00:35
21
Memoirs: Italian music since Palestrina: The one is, that they have little time for composing
Richard Wistreich
00:36
22
Memoirs: Italian music since Palestrina: Almost every composer of genius in Italy
Richard Wistreich
00:38
23
Memoirs: Italian music since Palestrina: This in some degree
Richard Wistreich
00:46
24
Memoirs: Interaction between Handel and the italians: From all that has been said
Richard Wistreich
00:53
25
Memoirs: Interaction between Handel and the italians: And as some proof of Handel's influence in Italy
Richard Wistreich
00:53
26
Memoirs: Value of harmony and melody: But in order to make a right judgement
Richard Wistreich
00:39
27
Memoirs: Value of harmony and melody: The concertos of Tartini
Richard Wistreich
00:38
28
Memoirs: Value of harmony and melody: Rousseau has developed this matter wonderfully
Richard Wistreich
00:48
29
Memoirs: Value of harmony and melody: His uncommon strenght in the instrumental way
Richard Wistreich
00:47
30
Memoirs: Value of harmony and melody: It may also be added
Richard Wistreich
00:42
31
Memoirs: Value of harmony and melody: Yet in many others all parts are so nicely adjusted
Richard Wistreich
00:42
32
Memoirs: Value of harmony and melody: The best Painter would be blamed
Richard Wistreich
00:38
33
Memoirs: Uneven success in Handel: To speak the plain truth
Richard Wistreich
00:40
34
Memoirs: Uneven success in Handel: A gentleman whom he had desired
Richard Wistreich
00:38
35
Memoirs: Uneven success in Handel "Un disprezzato affetto"
Richard Wistreich
00:40
36
Memoirs: Tartini as example of vocal writing for instruments: Here too we will see
Richard Wistreich
00:32
37
Memoirs: Tartini as example of vocal writing for instruments: After all the vocal species
Richard Wistreich
00:34
38
Memoirs: Tartini as example of vocal writing for instruments: As most difficult passages
Richard Wistreich
00:59
39
Memoirs: Importance of textual considerations in composition: And here I just may take notice
Richard Wistreich
00:39
40
Memoirs: Importance of textual considerations in composition: A too close attachment
Richard Wistreich
00:35
41
Memoirs: Importance of textual considerations in composition: The English tongue
Richard Wistreich
00:46
42
Memoirs: Importance of textual considerations in composition: If it abounds with noble images
Richard Wistreich
00:41
43
Memoirs: Exceptional nature of Handels choral music: In his Chorusses he is without a rival
Richard Wistreich
00:45
44
Memoirs: Exceptional nature of Handels choral music: It is true that in the admirable epistle
Richard Wistreich
00:37
45
Memoirs: Exceptional nature of Handels choral music: But there are many reasons
Richard Wistreich
00:34
46
Memoirs: Exceptional nature of Handels choral music: It is however no way improbable
Richard Wistreich
00:38
47
Memoirs: Effects of Handel's oratorio style, Messiah: As his Oratorios
Richard Wistreich
00:39
48
Memoirs: Effects of Handel's oratorio style, Messiah: After these vast efforts of genius
Richard Wistreich
00:51
49
Memoirs: Effects of Handel's oratorio style, Messiah: This is probably owing to that grandeur of conception
Richard Wistreich
00:46
50
Memoirs: Particular effect of recitative in expressing religion and humanity: His excellence in another branch of vocal Music
Richard Wistreich
00:56
51
Memoirs: Duets, trios and Acis and Galatea: The Duettos and Terzettos were made at different times
Richard Wistreich
00:40
52
Memoirs: Duets, trios and Acis and Galatea: The author hat only himself to please
Richard Wistreich
01:12
53
Memoirs: Duets, trios and Acis and Galatea: It was not to be disembled
Richard Wistreich
00:46
54
Memoirs: Duets, trios and Acis and Galatea: The Duetto beginning Amiravi mio sono intento
Richard Wistreich
00:47
55
Memoirs: Duets, trios and Acis and Galatea: Among the Trios "Quando non ho più core"
Richard Wistreich
00:52
56
Memoirs: Duets, trios and Acis and Galatea: Though the Duettos and Trios in his Operas and Oratorios
Richard Wistreich
00:51
57
Memoirs: Duets, trios and Acis and Galatea: The Cantatas now remaining
Richard Wistreich
00:38
58
Memoirs: Qualities of instrumental music: In his Music for Instruments
Richard Wistreich
00:40
59
Memoirs: Qualities of instrumental music: Tho' no man ever introduced such a number of instruments
Richard Wistreich
00:35
60
Memoirs: Keyboard music: Harpsichord Lessons
Richard Wistreich
00:37
61
Memoirs: Keyboard music: Indeed there seems to be more work in that
Richard Wistreich
00:32
62
Memoirs: Place and significance of religion and humanity in Handel's works
Richard Wistreich
01:11
63
Memoirs: Exemplary character of Handel's works: The hopes of rendering some service to Music
Richard Wistreich
00:59
64
Memoirs: Exemplary character of Handel's works: At all events
Richard Wistreich
00:38
65
Memoirs: Exemplary character of Handel's works: Our most fashonable Music
Richard Wistreich
00:31
66
Handel - Memoirs 5 - 63 - Exemplary character of Handel's works Such a decay
Richard Wistreich
00:47
67
The Messiah, HWV 56: Pt. 2 No. 28, He Trusted In God That He Would Deliver Him (Chorus) (Live at Cathedral of Brixen, 08/28/2009)
Philipp von Steinaecker & Musica Saeculorum
02:15
68
The Messiah, HWV 56: Pt. 1 No. 17, Glory to God In the Highest (Chorus) (Live at Cathedral of Brixen, 08/28/2009)
Philipp von Steinaecker & Musica Saeculorum
01:56
69
The Messiah, HWV 56: Pt. 2 No. 43, Hallelujah! (Chorus) (Live at Cathedral of Brixen, 08/28/2009)
Philipp von Steinaecker & Musica Saeculorum
03:40
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