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Great Composers in Words & Music: Johann Sebastian Bach
Leighton Pugh
26 SONGS • 1 HOUR AND 7 MINUTES • MAY 13 2022
Play
1
Introduction
00:10
2
Brandenburg Concerto No. 2 in F Major, BWV 1047: I. Allegro (Excerpt)
Swiss Baroque Soloists & Andrés Gabetta
01:12
3
Hurtling Through Interstellar Space
10:23
4
Prelude in C Major, BuxWV 137: I. Prelude - II. Fugue (Excerpt)
Julia Brown
01:15
5
After the Street Brawl and the Trip to See Buxtehude
06:38
6
Toccata & Fugue in F Major, BWV 540: I. Toccata (Excerpt)
Wolfgang Rübsam
00:57
7
Yet Buxtehude and the Northern German Musical Culture
03:23
8
Organ Concerto in C Major, BWV 594 (Excerpt)
Wolfgang Rübsam
00:50
9
Historians Have Argued That the Lesson Bach Learned
06:19
10
Double Violin Concerto in D Minor, BWV 1043: II. Largo, ma non tanto (Excerpt)
Takako Nishizaki, Alexander Jablokov, Capella Istropolitana & Oliver von Dohnányi
01:34
11
During Bach's Nearly Six Years at Köthen
02:31
12
The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 24 in B Minor, BWV 869: II. Fugue (Excerpt)
Luc Beauséjour
01:27
13
The Second Köthen Composition That Has Come To Define
03:07
14
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. — (Excerpt)
Swiss Baroque Soloists & Andrés Gabetta
00:36
15
However Productive Bach May Have Been at Köthen
06:33
16
St. Matthew Passion, BWV 244, Pt. 2: No. 39, Erbarme dich, mein Gott, um meiner Zähren Willen (Excerpt)
Gerhild Romberger, Jan Čižmář, Petra Morath-Pusinelli, Bachorchester Mainz & Ralf Otto
01:30
17
Bach’s Musical Activities in the Years Following
03:20
18
Piano Concerto No. 1 in D Minor, BWV 1052: I. Allegro (Excerpt)
Robert Hill, Kölner Kammerorchester & Helmut Müller-Brühl
00:54
19
As Well as Its Regular Weekly Concerts
05:42
20
Musikalisches Opfer, Op. 6, BWV 1079: Sonata à 3, Allegro (Excerpt)
Nils Thilo Kramer, Ariane Pfister, Christian Benda & Sebastian Benda
00:51
21
Despite Bach’s Travelling and Various Guest Appearances
01:57
22
The Art of Fugue, BWV 1080: Contrapunctus inversus XII à 4 (Excerpt)
Wolfgang Rübsam
00:56
23
As Well as Exhibiting Bach’s Penchant for the Theoretical Aspect
01:08
24
Mass in B Minor, BWV 232: Dona nobis pacem (Excerpt) [1]
Slovak Philharmonic Chorus, Capella Istropolitana & Christian Brembeck
00:53
25
We Know of Nothing That Bach Composed After This Movement
02:37
26
Mass in B Minor, BWV 232: Dona nobis pacem (Excerpt) [2]
Slovak Philharmonic Chorus, Capella Istropolitana & Christian Brembeck
01:03
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