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Ya walidata-l-ilah (Melchite Sacred Chant)
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Dies irae (Gregorian Chant)
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Agnus Dei, Omnipotens eterne (Mass from the year 1000)
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Offertory, Ascendens Ihesus in montem (Plainchant for Santiago da Compostela, Codex Calixtinus, ca.1150)
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Hyer matin a l’enjornee (The Art of the Trouvères, Northern France, 12th & 13th c.)
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Owê dirre nôt (Minnesänger, Holy Roman Empire, 13th c.)
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Dame que je n’os noumer (Motet from the Montpellier Codex, 13th c.)
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Kyrie, Kyria christifera (English Ladymass, Salisbury, 13th & 14th c.)
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Mater ora filium (Sacred Music in 14th-c. England)
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De ma doulour (Ars Subtilor)
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Salve scema sanctitatis, Salve salus servulorum, Cantant celi agmina (15th c. England)
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O gemma, lux et speculum - Sacer pastor Barensium (Franco-Flemish Polyphony)
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Ave dulcissima Maria (Renaissance Motet)
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Tallis’ Canon, Eighth Tune for Archbishop Parker’s Psalter (Age of the Reformation)
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Anchor che col partire (Italian Madrigal)
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Allala, pia Calia (Italian Madrigal)
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Crudele acerba (Italian Madrigal)
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Constant Penelope (Song from the Elizabethan England)
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